Long Tall Deb and Colin John

“Sweet Dreams”, the first single from

“Light It Up” out now!

Long Tall Deb & Colin John Reimagine Eurythmics Classic with Gritty Texas Blues Twist!

Soul-blues duo Long Tall Deb & Colin John have breathed new life into the Eurythmics’ iconic ’80s hit “Sweet Dreams (Are Made of This)”—transforming the synth-pop anthem into a gritty, soulful Texas shuffle. Their bold reinterpretation trades drum machines and synths for swaggering guitar work, sultry vocals, and a swinging rhythm section steeped in blues tradition.

“We had an idea to take an ‘80s pop song—one that most listeners would be familiar with—and turn it into a gritty blues,” says Long Tall Deb. “On the short list, we thought of Sweet Dreams and presented it to our co-producer Chris Butler (of The Waitresses), who dug the idea and suggested we turn it into a Texas-style shuffle. It came together really quickly in the studio, and we’re all excited to have reworked a popular song into a style we all love.”

Deb’s evocative vocals shine against Colin John’s smoking guitar tone, while drummer Jason Edwards and bassist Chris Butler drive a tight, swinging groove. Adding another layer of soul, Jennifer Milligan delivers tasteful, haunting backing vocals. This reimagined Sweet Dreams is a bold blend of nostalgia and innovation—offering a fresh take on a classic that’s sure to turn heads across genres.

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Between her sublime vocals and his guitar, sitar, and lap steel, a state of musical zen is reached which transcends mere genres.

These two have traversed the globe looking for that elusive note, be it India, Nepal, or Europe. Suffice it to say, they found it.”
— The Aquarian Weekly
This is an utterly original mélange of all the music we have enjoyed for around 80 years...it is also compelling as all getout.
— BLUES MATTERS, UK
Credit Long Tall Deb and Colin John for forging their own unique sound. It’s refreshing and captivating
— JIM HYNES, ELMORE MAGAZINE
Long Tall Deb raises attitude to a new latitude. Her songs cook with more smoke and sauce than all of Memphis, and her soul will break your back. Colin John’s guitar flogs you with a cotton branch ’til you bleed honey.

Together they ride a no-brakes rhythm section locomotive to a time when the rooms were red, the music was black and the untold tales waited patiently for the coming of the voice worthy of the telling. Get ready. Here they come.
— Terry Abrahamson, In The Belly Of The Blues